I’ll be playing a track called “Pontin Pontin” by Cabo Verdean singer Bana on the program airing this weekend. It’s from a wonderful compilation album titled ‘Space Echo: The Mystery Behind the Cosmic Sound of Cabo Verde Finally Revealed!’ Released by Analog Africa in 2016, the album collects music from Cabo Verde that features synthesizers in the mix, mostly recorded from 1977 to 1984 or so. I have the song on a different sampler CD, so while doing some research on the album, I found the following notes (excerpted below) on the Analog Africa Bandcamp page. It’s a fun and fanciful story created by the Analog Africa promotional writers to explain the rise of synthesizers in the music of Cabo Verde in the 1970s and 80s. There is no source verifying whether even the most trivial aspects of this story are factual, except for the statement in the last paragraph about the musicians playing the songs on the album. There was a ship that ran aground on the Cabo Verdean island of Boa Vista in 1968, but it wasn’t carrying synthesizers. It was carrying four bells bound for a church in Brasilia as well as other cargo, and its ruined hull is still there on the beach today. I suspect the story of that ship was possibly used as a jumping off point for the creation of “the mystery behind the cosmic sound of Cabo Verde.”
You can read the full notes that include all of the even more fanciful aspects of this tall tale on the album’s page on Bandcamp. Despite the backstory being fictitious, the music is fantastic and it’s fun to hear how these musicians incorporated electronics into the popular music of Cabo Verde.
“In the spring of 1968 a cargo ship was preparing to leave the port of Baltimore with an important shipment of musical instruments. Its final destination was Rio De Janeiro, where the EMSE Exhibition (Exposição Mundial Do Son Eletrônico) was going to be held.
It was the first expo of its kind to take place in the Southern Hemisphere and many of the leading companies in the field of electronic music were involved. Rhodes, Moog, Farfisa, Hammond and Korg, just to name a few, were all eager to present their newest synthesisers and other gadgets to a growing and promising South American market, spearheaded by Brazil and Colombia.
The ship with the goods set sail on the 20th of March on a calm morning and mysteriously disappeared from the radar on the very same day.
One can only imagine the surprise of the villagers of Cachaço, on the Sao Nicolau island of Cabo Verde, when a few months later they woke up and found a ship stranded in their fields, in the middle of nowhere, 8 km from any coastline. After consulting with the village elders, the locals had decided to open the containers to see what was inside – however gossip as scintillating as this travels fast and colonial police had already arrived and secured the area.
Finally, a team of welders arrived to open the containers and the whole village waited impatiently. The atmosphere, which had been filled with joy and excitement, quickly gave way to astonishment. Hundreds of boxes conjured, all containing keyboards and other instruments which they had never seen before: and all useless in an area devoid of electricity. Disappointment was palpable. The goods were temporarily stored in the local church and the women of the village had insisted a solution be found before Sunday mass.
It is said that charismatic anti-colonial leader Amílcar Cabral had ordered for the instruments to be distributed equally in places that had access to electricity, which placed them mainly in schools. This distribution was best thing that could have happened – keyboards found fertile grounds in the hands of curious children, born with an innate sense of rhythm who picked up the ready-to-use instruments. This in turn facilitated the modernisation of local rhythms such as Mornas, Coladeras and the highly danceable music style called Funaná, which had been banned by the Portuguese colonial rulers until 1975 due to its sensuality!
8 out of the 15 songs presented in this compilation had been recorded with the backing of the band Voz de Cabo Verde, lead by Paulino Vieira, the mastermind behind the creation and promulgation of what is known today as The Cosmic Sound of Cabo Verde.”https://analogafrica.bandcamp.com/album/space-echo-the-mystery-behind-the-cosmic-sound-of-cabo-verde-finally-revealed
Enjoy one of the tracks from the album.
Details about how and when you can tune in to this week’s show are on the Listen page linked in the main menu.